I bought these cards to work with Sigyn, as to me She has a strong connection to flowers and nature. I have to say I have found them a beautiful way of working with Her.
The cards themselves aren’t that big but they have a good thickness to them, similar to most oracle decks. They come in a hard box which has a magnet fastening to keep it closed.
There are 40 cards in total, which “contain the wisdom of the traditional Language of Flowers“. The back of each card has the same watercolour in pinks and purples. This makes up the border on the main face of the cards. The main section is white with a delicate watercolour painting of each flower, their names and their message.
They can be used like a traditional oracle deck or in conjunction with flower essences, herbs and aromatherapy. As part of a wider holistic healing therapy they would make a wonderful addition to any therapist or healer’s practice.
As I have said, I am using them to connect with Sigyn. They could be used to connect in with other Deities too, especially Those associated with flowers and healing.
Flowers are wonderful healers, in many different ways, and I believe these cards can really open up a new aspect of working with them.
As a final note, I have asked Sigyn for a card to end this review on:
(c) Michelle G, Northern Tamarisk, 2018
Recently I have written about how I associate Sigyn with Roses, and also about making a Daisy tincture for Inner Child healing work. Others have experienced Sigyn as a Goddess for helping heal the Inner Child, and I believe one way She does so is through Daisies.
On the day my Daisy tincture post went live I had a parcel arrive – a handmade worry doll. I went on the site originally because a friend had liked her tarot and ribbon-reading page on Facebook and it piqued my curiosity. While browsing the online shop I saw the worry doll and felt such a strong ‘Sigyn’ vibe that I bought her. Pink, pretty, girly, flowery things often (but don’t always) mean ‘Sigyn’ to me. There’s a side to Her (that others have written about too) that is almost like this beautiful, innocent, sweet, open-hearted young girl. And that part of Her is the one I associate with the pink, girly, flowery stuff. Things I used to actively avoid, but the last year or so I’ve been more drawn to.
When the worry doll arrived (on the afternoon the Daisy tincture post went live) I saw she came with a little card:
The worry doll’s name is Daisy! I didn’t even notice she had a name on the listing, and yet I felt so strongly that this little doll was for Sigyn that I bought her.
Our lawns are covered in Daisies. No matter how many times the lawn mower goes over them they always spring back, bright and cheery. I love Daisies, and recently I have been very drawn to them. As I’ve been getting into deeper levels of inner work, Inner Child work has become more important, and Daisy is perfect for this. Think of the bright, innocent joy of a child; they fall but get back up. And think of Daisy chains – bringing together the Self in joy, innocence, creativity and upliftment. That is Daisy, to me.
So I went around picking Daisies before the mower did its rounds, and found myself humming a tune from my childhood (“Daisy, Daisy, give me your answer do…”). The sun was out, the sky was blue, and I was just humming happily, moving from one Daisy patch to the next picking the flowers. Perfect Inner Child healing in itself. When I got inside I added them to a jar with English potato vodka, and put the jar on my altar to charge up. As with the Dandelions, I asked Horus and Bast in particular to help bring in Their healing and protective energies, and I also called on Mut, Whom I affectionately term ‘Mother Mut’.
Over the Autumn, Winter and into Spring we had an open fire every night. Lighting and tending to the fire brought me closer to the element of Fire itself, and to Deities associated (and I associate) with Fire. Not only that but it brought me into a better understanding of the hearthfire, and how important tending that would be. The expression ‘hearth and home’ became something that had more meaning to me than it had before.
Where we lived previously we had a log burner, and I loved seeing the fire through the glass window, but I didn’t realise that even that was keeping Fire ‘contained’ and ‘removed’ somehow. When we moved to where we’re currently living and the seasons turned, having an open fire was a kind of revelation. Here Fire is not shut away, it’s a part of the room, and feels more a part of the home. Our open fire became the hearth fire, the home-fire. Even my parents said how much of a difference it made, how it made the house feel different; how coming together by the fire and tending to it as a family made the house feel more homely.
I am very much in support of a practice that caters to a person’s individuality. While tradition has its place it can, at times, place constraints on how people practice, and how they approach and work with Deities. Part of my aim here is to encourage people to discover individual levels of practice, and to provide ideas for different ways to connect. It’s something I’ve been doing since the beginning, though I didn’t realise it until very recently. It is something I believe in strongly, and while I respect traditional practitioners, there is more encouragement needed for people on non-traditional pathways.
Our connection to Deity and/or Spirit is unique, and that can often be downplayed. I’ve seen more being written about what constitutes ‘right practice’, but ultimately I believe in doing what is right for you and the way the Gods/Spirits work with you as the person you are. Your gifts, talents and strengths are unique to you, and your work and connection with Deity will reflect that.
I wanted to do something a bit different, so I’ve decided to write my very first deck review. Clive Barrett’s Ancient Egyptian Tarot was the first ever set of divination cards I bought, way back in 2005/2006. I have a couple of other tarot decks but these are the ones I connect to the most.
The Ancient Egyptian Tarot is illustrated by artist Clive Barrett, and the artwork is beautifully detailed. Each card is filled with Egyptian symbolism and numerous elements and ‘extras’ that really help to add depth to a reading. The suits are Wands, Swords, Cups and Disks. The court cards are King, Queen, Prince and Princess.
The Autumn Equinox is a time when day and night are of equal length, and this can be a perfect time to work with the Shadow to bring about integration. There are gifts in Shadow work – abilities and parts of our Self we’ve pushed down and that need to be recognised and brought out into the world. Likewise, some people who focus all on the Light can ‘bypass’ their true emotions to try and be more ‘spiritual’.
As with the Equinox, a healthy balance and coming together of both Shadow and Light is needed to integrate and become more whole. Even naming them as such is using the Duality terminology. When integrated a person is more whole, and things less black and white, cut and dry. Balance is achieved by living through an integrated Self, one that values authenticity, integrity and understanding.
This poem/ invocation can be used in your own Equinox celebrations to help with Shadow integration. I will point out that Shadow work is an ongoing process and is not something that can be done in an afternoon. It is something that takes time, patience and dedication, but this invocation may well help to integrate the parts of your Shadow that you have already identified and worked with. Shadow work has many lessons to teach us, but unless you actually integrate those Shadows and actively live their lessons they remain an unfulfilled potential.
As spoken about before, I love collecting berries and drying them. This has now extended to flowers. Our lovely Elders have been in full bloom, so I collected some of the creamy sprays to make tinctures from. Some had also started to become berries, so I thought these might be good for a transition-type tincture – PLEASE BE AWARE THAT THE UNRIPE BERRIES ARE NOT SUITABLE FOR INTERNAL USE. I intend to use the tinctures mainly for aura and energetic sprays, and for cleansing baths.
I’m really loving getting so connected to nature again, and finding new ways to bring Mother Earth’s bounty into my life in magical ways. I’ve been making sprays for a few years now, along with oil mixes. At least I won’t get the raw berry bits clogging up the spray bottle mechanisms now!
Here are some pictures of the Elder flowers and proto-berries before and after drying. They were particularly fiddly to get off the stems, and I still have to remove the flowers from their stalks to make up the tincture. I will be leaving them to ‘soak’ for at least two months before filtering them.
I’ve been thinking of doing something like this for a while. I love experimenting with herbs, oils, salts, waters and crystals. I’ve been working on different cleansing bath variations for a couple of months now and I have a couple of favourites. While they help I also wanted something I could keep in place as protective charms.
I have my own dried Hawthorn and Sloe berries from our garden, and mum had some Hawthorn tea bags she didn’t want, so I rummaged through my herbal chest to see what felt right. With a bit of guidance from Loki I now have four little protective pouches. It feels great to be engaging with my Witchy side again after she’s been mostly dormant for the last few years.
Even back in childhood I loved reading about witches and magic. A number of years ago I started researching the witch trials and Medieval magic, but most of it was so far removed from the forest and nature that I put it aside. That longing for connection remained, however, and it became a part of my spirituality. It’s why she doesn’t show much on the surface, but dig a little deeper and my Witchy nature is there. She called to me in February, but other things took over. I had a dream at the beginning of June where I discovered a powerful Witch in a tomb, and when I looked at her face she was me. I am rediscovering this part of me.