This is an interesting read for anyone interested in Ancient Egyptian and Nubian history, as well as those interested in tattoos in general. The article is short but talks about different styles, symbolism, tools and pigments used.
Egyptologists previously believed that tattoos carried a fertility or erotic significance and applied only to women in ancient Egypt — a belief that is now challenged by these new findings. Friedman points out that the wild bull was a symbol of male potency in ancient Egypt… They suggest that ‘Gebelein Woman’s’ tattoos, on the other hand, may indicate “ceremonial or ritual” involvement based on their similarities to motifs on Predynastic ceramics, figurines, and a tattoo from the late New Kingdom (1,539-1,077 BC).
You can read the full article here:
Shared from Ahram Online. Article written by Nevine El-Aref , Sunday 3 Dec 2017
A collection of 27 fragmented statues of the lioness goddess Sekhmet has been uncovered during excavation work at the King Amenhotep III funerary temple at the Kom El-Hettan area on Luxor’s west bank.
Mostafa Waziri, secretary-general of the Supreme Council of Antiquities, said the black-granite statues have a maximum height of about two metres. Some statues depict Sekhmet sitting on a throne, holding the symbol of life in her left hand, while others show her standing and holding a papyrus sceptre before her chest. The head of Sekhmet is crowned with a sun-disk, while a uraeus adorns her forehead.
The mission began excavation work in 1998, and about 287 statues of Sekhmet have been unearthed since then.
You can read the full article here: http://english.ahram.org.eg/News/282656.aspx
Last Summer my parents and I visited a neighbouring village for their annual village fair. It’s been going for hundreds of years, and there are no signs of it stopping any time soon. What was lovely to see, amongst the craft stalls, were two areas showcasing traditional crafts.
Rob lives in our village and makes traditional wooden frame buildings. He also does thatched roofs. He had a display of some of the techniques used, and was even giving a demonstration of how he cuts beams into shape by hand.
If you cannot go to Egypt to see the wonders of Philae Temple despair not. Many of us can’t travel as much as we’d like, whether the reason is illness, time, money or safety concerns, so imagine my delight when I found out about this project. Describing Egypt is a modern take on the old Description de l’Egypte, capturing the splendor of Ancient Egypt’s monuments in 360°. As well as Philae the group have also captured the tombs of Rammesses VI, Sennedjem, the mastaba of Ptah-Hotep and Akhet-Hotep, and the mastaba of Ty.
These are a very small selection of photos from the album by Merya on Flickr. They are from the ‘Animals and Pharaohs’ exhibition that was at the Caixa Forum in Barcelona, Spain until January this year. If you love Egypt, in particular the animals associated with various Deities, then you should take a look.
Source: The British Museum: A Museum for the World
The British Museum now has a Google-ised version so you can browse from the comfort of your own home! Perfect for anyone who can’t get there in person.
My favourite section is the Egyptian Gallery, with some beautiful statues of Sekhmet.
Because I’m a serial procrastinator it has taken me this long to get around to typing up my notes. Finally, however, I’m trying to break the pattern.
Lecture Report – Amarna: A New Mythology? By Dr Garry J. Shaw
AEMES, Bishop Grosseteste University, Lincoln, UK. Saturday 14th March 2015
A new solar mythology started appearing in the Books of Am Duat, and in hymns and rituals in the 18th Dynasty. The sun’s power guaranteed the balance of the cosmos and, though distant, you could feel the sun god’s presence in his rays. Much became subsumed by the sun god, including Osiris, Ra and Amun, and the other gods lessened in importance.
During the late 18th Dynasty Amenhotep III passed on the throne to his son Amenhotep IV, who later changed his name to Akhenaten. However, the throne should have gone to an older son, one who died. Amenhotep IV showed a particular interest in a deity called Aten – ‘the disc’. Aten is referred to in the Middle Kingdom as the physical manifestation of Ra, and is closely affiliated with the king. Aten is the faceless sun disc with long rays ending in hands. It is asexual and androgynous, with no spouse. It is anthropomorphic and has no body, so there are no traditional offering scenes.