Even back in childhood I loved reading about witches and magic. A number of years ago I started researching the witch trials and Medieval magic, but most of it was so far removed from the forest and nature that I put it aside. That longing for connection remained, however, and it became a part of my spirituality. It’s why she doesn’t show much on the surface, but dig a little deeper and my Witchy nature is there. She called to me in February, but other things took over. I had a dream at the beginning of June where I discovered a powerful Witch in a tomb, and when I looked at her face she was me. I am rediscovering this part of me.
Despite the more obvious practices of Seidhr, spells, enchantments, divination and shapeshifting, there is another powerful magic in the Iron Wood: the women Themselves.
The women are the fiercer, more powerful sex among the Jotnar – think of Angerboda and Skadi, of Groa and Gerda. But this strength isn’t just physical, and nor is it purely ‘magical’. Their true power lies in Their personal power, Their Sovreignty, Their sacred expression of Their Selves. They are empowered women, the Ones Who stand up for Their needs and desires, standing Their ground, asserting Their boundaries.
To the writers of the time these powerful, self-assured women must have been seen as a real threat to the ‘way of the world’. These are independent Goddesses who know Their needs and magics and are respected for it. How much of the ‘terrible and terrifying’ description of Them is really true, and how much is the filter of the writer?
While these amazingly strong Goddesses can be fierce and awe-inspiring, is there a chance They have been somewhat misrepresented? How much of Their true nature has been rewritten or lost? Just as Sigyn is reduced to the long-suffering wife of Loki in the Eddas, with the gift of her magic as galdr fetter hinted at in just one epithet, how much of the Jotnar and Iron Wood has been lost?
In being drawn back to the ways of nature, the Earth and the crystal, plant and animal kingdoms I feel my inner ‘wild woman’ calling. This is part of me I have been too afraid to claim, but now I’m tentatively curious. Whereas Angerboda used to terrify me I can now be in Her presence with a great deal of respect for Her power. I know She values physical strength, but She also values strength of will and heart.
Beside Her more obvious Iron Wood connections, to me She is a Goddess of empowerment. Part of Her gift is bringing us into our own power. While this manifests differently in each of us – due to different personalities, abilities and paths to follow – She is the embodied Powerful Feminine.
Although Hers can be a tough love, She does love… and fiercely. She is loyal and true to Her Self and to those She loves. She doesn’t suffer fools gladly.
Paige Carpenter is an illustrator from Texas, USA, who takes her inspiration from a variety of sources. On her website it says: “She loves Norse mythology, reading, gardening, and of course, creating art.” The works that I love the most are her depictions of the Norse deities. She has a soft style to her pencil and charcoal pieces, which is particularly lovely in her beautiful depiction of Laufey holding baby Loki. Her watercolor pieces are vibrant, but have an almost velvety texture.
I cannot tell you how ridiculously excited I was when I found her depictions not only of Loki, but also Laufey and Helblindi. These two, along with Farbauti and Loki’s other siblings are so rarely depicted, and when they are they usually have a Marvel influence. It’s really refreshing to see a traditional-style illustrator showing us her view of them.
Paige’s Website: www.paigecarpenter.com
(Click on the images to be taken to the image page)