These beautiful Nine-Flame Prayer Beads are available now from my Etsy store!
The Nine-Flame strand is based on a Brighid’s Flame set I made for a friend. They are perfect for connecting with Deities associated with fire and smithcraft, the blazing sun, or of the burning heat of the desert. Could also be used to connect with volcanic Deities, primal forces, or to act as a representative of the element of Fire.
Fire can burn away the old to make way for the new, so these prayer beads could be used in releasing ceremonies, as well as for renewal. After the dust has settled from the ashes of the old the new is born.
For writers and creators they could also be used to channel the flame of inspiration
Made of nine glass flame twist beads, 4mm glass beads and glass seed beads. Length: approximately 48cm. Weight: Approximately 45g
There is one strand currently available but I will be making a few more. How many depends on how long the flame twist beads last as I may be using some in other designs.
P&P Update: Etsy has a lovely little postage setting for the European Union. Since the cost of postage to the EU is the same throughout I have added this option. If you live in any of the EU countries you can now purchase from Northern Tamarisk without having to send a request for your country to be added to my postage list. It also makes it a lot quicker and easier for me, because otherwise I’d have to list each country separately.
As always, postage to the UK and USA remains.
There are many theories about whether the Set-beast is based on a real animal, whether it is a compilation of creatures (like Ammit), or a completely mythological being.
While watching the ‘Grasslands’ episode of Sir David Attenborough’s ‘Planet Earth II’ I came face to face with an Ice Age relic: the Saiga Antelope. Just look at that nose! How can you not see a resemblance to the Egyptian God Set when you look at it?
By Vladimir Yu. Arkhipov, Arkhivov – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=8955913
I have now updated my list of Pinterest boards to include Hoder, Mimir, the Norns, and Mengloth & Handmaidens. I also have one for the Egyptian God Set.
The author introduces us to Set from his earliest to latest depictions in Egyptian art, with each chapter exploring different periods of Egyptian history in chronological order. While, for the most part, this was useful in showing the evolution of Set over the years, it also led to a slightly disjointed narrative when exploring the themes associated with the God.
Chapter one explores the earliest images of Set, and it makes clear that even in the Naqada I era he was known as “the lord of the sedges”, establishing his importance as representative of Upper Egypt, alongside Horus as “lord of the papyrus country” (Lower Egypt). Set’s association was with the city of Naqada, his cult centre, where he became known as nbwty – “the golden one.” He is thus often referred to as “Lord of Nubt.”
Interestingly, in the Labels from King Scorpion’s tomb Set, though shown in his animal form, is not shown with the typical erect tail, yet on a detail from the same king’s mace head, he is. The author then goes on to comment on the canine-like appearance of Set in Djoser’s temples, and quotes Ken Moss’ theory that the Set animal may in fact be based on a breed of hunting dog called the Saluki. Their ears were often cropped, producing a squared tip, and when running these square-tipped ears and the tail stick up.